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March 2016: Stimulus talk Computational Music
Structure Analysis: An Enterprise into Time in Music,
Dagstuhl
seminar 16092 Computational Music Structure Analysis,
Schloss Dagstuhl, Germany.
Sep 2014: Rhythmic patterns as constituents of the Ragtime genre, EuroMac 2014 Conference, Leuven, Belgium. June 2014: Patterns in Ragtime: A Computational Study in Digital Humanities. Digital Humanities Conference Benelux, Den Haag. June 2014: Melodic Segmentation Across Cultural Traditions and Styles. Digital Humanities Conference Benelux, Den Haag. November 2013: Debate with Rens Bod on Who's afraid of patterns. The particular vs. the universal. The implicit vs. the explicit. Workshop Digital Humanities: Critical views and experiences, Amsterdam June 2013: Segmentation Methods for Symbolic Music Similarity Research at the Fourth International Conference on Mathematics and Computation in Music Sept 2012: Music and Science: Confronting Imprecise Concepts with Precise Models: What Can Be Gained? at International Study Day: Music and Science Sept 2012: Modelling music similarity in MUSIVA: addressing interdisciplinary challenges of computational humanities at New Trends in e-Humanities Feb 2012: MUSIVA: Linking variation and similarity in music, Symposium Harmony and Variation in Music Information Retrieval at Utrecht University Feb 2012: The use of ICT in music research, SURF-onderzoeksdag, see a video impression of the day here Oct 2011: Tutorial on Musicology at ISMIR 2011 with Frans Wiering, Miami Beach, Florida. Pdf-slides. June 2011: Bridging the Gap: Computational and Mathematical Approaches in Music Research, Panel session co-chaired with Aline Honingh at MCM 2011 in Paris; Oct 2010: A Moment of Opportunity for Computational Musicology, Symposium Perspectives for Computational Musicology, Amsterdam. Apr 2010: Mathematics and the Groove in Music, 46. Nederlands Mathematisch Congres, Utrecht. July 2008: Cognition-based segmentation for music information retrieval systems, CIM4, Thessaloniki. September 2007: Applying Rhythmic Similarity based on Inner Metric Analysis to Folksong Research, 8th ISMIR conference, Vienna. June 2007: Rhythmic Similarity in the Oral Tradition of Folk Songs, 11th Rhythm Perception and Production Workshop, Dublin. May 2007: Applying Inner Metric Analysis to 20th century compositions, conference Mathematics and Computation in Music, Berlin. May 2007: Comparing Computational Approaches to Rhythmic and Melodic Similarity In Folksong Research, conference Mathematics and Computation in Music, Berlin. October 2006: Creating a Search Engine for Folksongs... and Other Music, Workshop Music, Mathematics and Computation at the University of Amsterdam. August 2006: Muugle: A Framework for the Comparison of Music Information Retrieval Methods, 9th International Conference on Music Perception & Cognition in Bologna, Italy. June 2006: Rhythm in Music as a Dynamic Process, interdisciplinary conference Rhythm, Time and Temporal Organisation organized by the Institute for Music in Human and Social Development, Edinburgh. September 2005: Modeling a Processive Perspective on Meter in Music. In: Proceedings of the International Computer Music Conference, Barcelona. July 2005: Describing the interactions between rhythmic motives and their metrical context, 10th Rhythm Perception and Performance Workshop, Alden Biesen, Belgium April 2005: Re-Considering the Affinity between Metric and Tonal Structures in Brahms Op.76 No.8, Annual Meeting of the Music Theory Society of New York State (Apr 9-10) New York City, NY, abstract. January 2005: Dance Music Classification Using Inner Metric Analysis: a computational approach and case study using 101 Latin American Dances and National Anthems, 9th INFORMS Computer Society Conference, Annapolis, Maryland. October 2004: Metrische Prozesse als formstiftende Elemente der zeitlichen Strukturierung von Kompositionen, 4th Congress of the German Society for Music Theory, Cologne. August 2004: Exploring the Interaction of Pulse Layers Regarding Their Influence on Metrical Accents, 8th International Conference on Music Perception & Cognition, Evanston, IL January 2004: A Mathematical Model describing the Metricity of Musical Pieces, Joint Mathematics Meeting of the American Mathematical Society and the Mathematical Association of America, Phoenix, Arizona. October 2003: Investigations in Metric Structures Based on a Mathematical Model, INFORMS Annual Meeting, Atlanta, Georgia. April 2003: Inner metric analysis and its perceptual evaluation at the MaMuX-Seminair Sciences cognitives, mathematiques et perception musicale at IRCAM, Paris. November 2002: A model of metric coherence, 2nd International Conference Understanding and Creating Music, Caserta. October 2002: Metric Coherence in Polyphonic Contexts, 3rd International Seminar on Mathematical Music Theory and Music Informatics, Zurich. October 2002: Klingende Musiktheorie - musiktheoretische Analysen als Grundlage von computergestuetzten Interpretationsexperimenten, 2nd Congress of the German Society for Music Theory, Munich. October 2001: Untersuchungen zur Metrischen Kohaerenz, 1st Congress of the German Society for Music Theory, Dresden. September 2001: Position Statement: Human Supervision and Control in Music, International Workshop Human Supervision and Control in Engineering and Music, Kassel. September 2001: Metric Analysis between Theory and Empirical Experiment, annual conference of the German Society for Music Psychology, Hildesheim. July 2001: Experiments in Artificial Performance, 2nd International Seminar on Mathematical Music Theory, Sauen. July 2001: Investigations in Metrical Coherence, 2nd International Seminar on Mathematical Music Theory, Sauen. October 2000: Experimente zur Interaktion von Rhythmus und Metrum mit RUBATO at the annual conference of the German Society of Music Research, Wuerzburg. March 2000: Harmonische Analyse im Hoerexperiment, Symposium of the German Society of Music Research (Research Group: Systematic Musicology), Rheinsberg. October 1999: The Intelligent Performance. An Experimental Approach, 9th International Congress of the German Society for Semiotics, Dresden. June 1999: Die mathematische Modellierung Riemannscher Begriffe und deren Umsetzung in der musikalischen Gestaltung, Kolloquium in honour of the musicologist Hugo Riemann, Sondershausen. May 1998: Talk at the Department of Psychology of the University of Keele (Keele`s Music Psychology Research Seminar Series). September 1997: Paper at the 5th International Symposion on Systematic and Comparative Musicology Music and Signs, Berlin. November 1996: Paper at the 5th International Congress on Music and Semiotics: Musical Signification, between Rhetoric and Pragmatics, Bologna. |