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Album cover

Phil Walton - Reason To Live

Artist: Phil Walton
Title: Reason To Live
Label: Blaris Trax
Length(s): 50 minutes
Year(s) of release: 2006
Month of review: [07/2008]

Line up

Phil Walton

Tracks

1) Passed Me By 4.25
2) What Are You Waiting For? 5.25
3) All Of Me 3.45
4) Do You Love Me? 4.54
5) Don't Be Coming Back! 3.10
6) She Walked 3.28
7) Just Another Day 4.37
8) Sail Away 4.33
9) What Becomes Of You? 3.10
10) Go To Sleep 2.37
11) Will You Dance? 4.39
12) Reason To Live 5.25

Summary

The music

Even though Walton has over 25 years of performing experience, this album is his first try at making a solo album, stepping away from his orchestral heritage.

Walton's vocals are somewhere in between Andy Latimer and Richard Sinclair. In timbre, that is. Furthermore there's a sort of total semblance to some of Peter Blegvad's solo work: singer songwriter with a bit of an experimental twist. Unfortunately Walton's voice is on the shaky side and somewhat off key at moments, too, to the point of "Oh, come on!" in tracks like Just Another Day and Sail Away, where the wheels appear to be coming off completely. It takes several tracks to recuperate from this ordeal and long after giving up completely about the album, the closer and title track turns out the first with a real melody and a rather good sound, albeit a tad on the sweet side.

Interestingly, according to the promo sheet Phil's initial intention was to use the disc as a showcase to attract singers. This approach was later dropped. Not a good decision, since I feel the compositions have more to offer than these renditions display. But then again: would this attract singers?

Anyway, enough about the vocals and on to some variant of my one-man-album-rant. Phil takes care of the keys, guitar and drums as well (or so I should assume). This is done in such a way that all of the tracks suggest that there is something interesting there, without quite displaying it. I find it hard to explain exactly which effect this is, but the music is played in such a laidback, to the point of sedate, manner, that the attention is directed towards the vocals.

Conclusion

This album is an interesting effort. As distant as that may sound, it's how I intend it. The liner notes describe how this is Phil Walton's first try at something in this genre. And the album sounds like it's more intended to prove a point to Walton, than it is to please the listener. The experimental sound has its merits, but the lack of enticing renditions, and the overall feel of attic activity that emanates from the music make it easy to push the "Archive" button, filing it for the books. The disc is now released through Phil's site (blaristrax.com), but I don't see any reason to go there until before there are some better versions of the songs. Unless, of course, you want to offer Phil your vocal assistence.

© Roberto Lambooy