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Sylvan - X-rayed

Artist: Sylvan
Title: X-rayed
Label: self produced
Length(s): 68 minutes
Year(s) of release: 2004
Month of review: [12/2004]

Line up

Marco Gluehmann - vocals
Matthias Harder - drums, percussion
Sebastian Harnack - bass
Kay Soehl - guitars
Volker Soehl - keyboards

Tracks

1) So Easy 8.19
2) So Much More 3.07
3) Lost 7.16 MP3
4) You Are 5.30
5) Fearless 9.11
6) Belated Gift 4.07
7) Today 3.10
8) Through My Eyes 6.50
9) Given - Used - Forgotten 12.55
10) This World Is Not For Me 8.20

Summary

Steadily the albums of Sylvan trickle into my collection. First from Angular, but since they went independent the quality of their output has risen, and since Artificial Paradise they are a force to be reckoned with, combining symphonic rock with modern elements.

The music

So Easy opens the album lazily, but the chorus shows us the emotional side of the band. A good vocal melody and interesting backing vocals make this a highlight of the song. The mood is rather somber, while the overall feel tends to refer to Coldplay, except the chorus of course which is much stronger and powerful. The middle part features synth strings and reverberating keys and guitars, a well-crafted atmosphere. Then the vocals return for a short while with some high pitched backing vocals answering the, on the whole, rather low-key vocals of Gluehmann. Some more vocal experimentation is up next, until we arrive at the panicky part where they move into the direction of Linkin Park.

So Much More is more of a sad ballad like track with atmospheric guitars in the back. It is also much shorter, soon giving way to the heavy rhythm guitars of Lost. Again a very strong chorus, and again they flirt with the style of a band such as Linkin Park. This has to do with the voice, but also the very emotional performance. In between, the music is quite close to progmetal with some excellent melodic passages on keyboards. There is the for prog typical meandering about in this track, but the band doesn't take it too far. An excellent song.

With You Are we come again to more relaxed waters. This is quite a catchy pop song, with elements of the modern Marillion, both in Rothery's atmospheric side and also the approach to the vocals. Fearless opens with groovy bass, and the vocals warrant a reference to Red Hot Chili Peppers. In between these more relaxed funky passages, the music becomes more aggressive. The chorus is similar to that of the opener: emotional and loud. Halfway we take a turn for the atmospheric and slightly experimental. Slowly the song gets underway again with vague vocals between the slow drum beats. A dark Floydian feel evolves while the vocals from the first part return, but a bit more in the background. The final passage is dominated by a wailing guitar solo.

Belated Gift is another one of the shorter tracks. The style is more percussive here, less melodic. The chorus is one of the type we have now come to expect. Using this style of chorus a lot does not help to distinguish the songs. Today is even shorter, a hazy ballad with atmospheric guitar playing, similar to Pineapple Thief. Very emotional, this is a veritable tearjerker (in the good sense).

As Through My Eyes opens with some lo-fi drum 'n' bass, the hich-pitched, softly manic vocals of Gluehmann promise to soon erupt into something heavy. The dynamics of this song are, on this album at least, typical for Sylvan, including the mellow and moody intermezzo

The longest track on this album, Given - Used - Forgotten opens intimately with hazy vocals, and piano. A clear guitar solo sets in then, this being more what people would call typical symphonic rock. This is indeed one of the most symphonic and varied tracks, especially when you take into account the Hackett like excursions. It is also striking that it deviates the most from the other tracks, in that it does not follow the same format. Strangely, it is also has the strongest extremes from very heavy rhythm guitars to etheric vocals. The final minutes are for the guitaristic finale, which absolutely shines. One might why we still go on, after such a conclusion. But there is still This World Is Not For Me. This is a soft voiced vocal track, in which even the vocal chorus stays rather subdued. Again, the guitar plays the leading role as it sounds us out.

Conclusion

I really like this album. The combination of symphonic rock, and the dynamic vocals in the line of Linkin Park make it a very refreshing listen. Notwithstanding my reference to Linkin Park, do not expect an album of nu-metal, and to be sure Sylvan spends more time on atmospherics and tension building, but they should beware that they do not repeat themselves too much, especially regarding song structure. If the latest Moongarden, Marillion, Porcupine Tree or Pineapple Thief did something for you, then Sylvan is likely to do so as well. We have a word in Dutch for this type of music: meeslepend, with which I mean to say, for lack of a better word, that the music easily carries you away, easily enthuses. If anyone can think of a more direct and fitting synonym, do not forget to e-mail this bit of information to me.

© Jurriaan Hage