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Galahad - Year Zero

Artist: Galahad
Title: Year Zero
Label: Avalon Records GHC08
Length(s): 56 minutes
Year(s) of release: 2002
Month of review: [10/2002]

Line up

Roy Keyworth - guitars, additional bass
Stuart Nicholson - vocals, choir, additional keyboards
Spencer Luckman - drums, percussion
Dean Baker - mellotron, fender rhodes, mini moog, taurus and modern keys
Neil Pepper - bass

Tracks

1) Year Zeroverture 4.45
2) Belt Up 3.46
3) Ever The Optimist 3.43
4) The Charlotte Suite 1.07
5) Haunted 4.21
6) Democracy 9.53 MP3 or RealAudio
7) Baroque And Roll Dementia 2.26
8) A Deeper Understanding? 3.52
9) The Jazz Suite 1.42
10) Take A Deep Breath And Hold On Tight 1.36
11a) Hindsight 1 - Piano And Clarinet 2.14
12a) Hindsight 2 - A Very Clever Guy Indeed 5.41
12) The September Suite 3.45
13) World Watching 2.26
14) Deceptive Vistas/Postscript - Perspective 4.44

Summary

When Galahad first came to the spotlight over a decade ago, they were very much a neo-progressive band. They have evolved to something quite different now, starting from their album Following Ghosts they incorporate trance influences in their already much more mature sound.

The music

Opener Year Zeroverture immediately shows what the band is now: mellotron sounds with trance like rhythms and sequencers. Good stuff

Belt Up is based on a rocky riff, with mellotron supporting, as well as vocals. Quite different from the overture, but equally good.

Ever The Optimist has an African sounding chant, pretty slow, with keys and guitars in support. This gives way to a very nice guitar solo, ending the song into The Charlotte Suite, which starts (electronic) church organ with a far more western sounding chanting.

Haunted starts with one of those Rhodes electric pianos you heard so often in the seventies, with vocals. As the track takes off the piano is exchanged for a Hammond sound with some nice guitarring.

Democracy starts with tranquil sounds, slowly leading into the addition of guitar and rhythm. Parts of this track have a very trancy feel, but there's also some oriental influences, apart from the likely ones.

Baroque And Roll Dementia starts as seedy as its title would suggest it to be, with hardrocky riff and flat drums. As it progresses it turns into something pretty okay, though, filling out a bit instrumentally.

A Deeper Understanding is sort of groovy, with vocals reminding me too much of Jon Anderson for comfort. Not one I like. We move into The Jazz Suite, which is, well, pretty bad, really: bad drumming, pabada-ing vocals, like one of those terrible seventies jazz ditties.

Take A Deep Breath obliterates its seedy predecessor, with steaming guitars, hefty mellotron and good vocals. Very nice.

Hindsight 1 - Piano And Clarinet is a piano and clarinet (now, there's a surprise) duet. Pretty tranquil, pretty nice. For the second part the clarinet leaves for the occasional flute, but this is mostly piano vocal, sparsely accompanied, until we move into the guitar section. Nice one, once again.

The September Suite sounds pretty orchestral, with some church organ at the end, even. Nice stuff. World Watching fits onto to this rather well.

Deceptive Vistas is the grand finale you might expect it to be. Going out with a bang.

Conclusion

If you liked Following Ghosts, you'll like this, if you didn't you probably won't like this one either. Like its predecessor, this is a very strong, if somewhat hybrid (yes, and there is such a thing as a little pregnant, too), album, except for a bad couple of minutes round track 8 and 9. Taking progressive music a tad further in this direction.

© Roberto Lambooy